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Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts
Non-photo blue (or non-repro blue) is a common tool in the graphic design and print industry, [1] [2] being a particular shade of blue that cannot be detected by graphic arts camera film. This allows layout editors to write notes to the printer on the print flat (the image that is to be photographed and sent to print) which will not show in the ...
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts.
This is a featured picture, which means that members of the community have identified it as one of the finest images on the English Wikipedia, adding significantly to its accompanying article. If you have a different image of similar quality, be sure to upload it using the proper free license tag , add it to a relevant article, and nominate it .
The heart symbol is an ideograph used to express the idea of the "heart" in its metaphorical or symbolic sense. Represented by an anatomically inaccurate shape, the heart symbol is often used to represent the center of emotion, including affection and love, especially romantic love.
Τypographic ornament in ancient city of Kamiros in Rhodes island, Greece. Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, [4] on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. [5]