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Creative writing is any writing that goes outside the bounds of normal professional, journalistic, academic, or technical forms of literature, typically identified by an emphasis on narrative craft, character development, and the use of literary tropes or with various traditions of poetry and poetics.
The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms. [2]
Feminist critics also focus on the role of the female artist in Austen's fiction. For example, Claudia Johnson views Emma as a powerful heroine, an artist who controls her home, her marriage choice, her community and her money. Emma composes stories for people's lives and thereby represents the figure of the female artist. [103]
"Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, [5] [6] but can also include works in various non-fiction genres, such as biography, diaries, memoirs, letters, and essays.
A 16th-century movement and style that emerged in the later Italian High Renaissance. Mannerism in literature is notable for its elegant, highly florid style and intellectual sophistication [2] [4] [5] Michelangelo, Clément Marot, Giovanni della Casa, Giovanni Battista Guarini, Torquato Tasso, Veronica Franco, Miguel de Cervantes: Petrarchism
Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art". [3] Style can be divided ...
His works have many similarities to the writing of Christopher Marlowe, and seem to reveal strong influences from the Queen's Men's performances, especially in his history plays. His style is also comparable to Francis Beaumont's and John Fletcher's, other playwrights of the time. [32] Shakespeare often borrowed plots from other plays and stories.
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