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Download as PDF; Printable version; ... Degrees are relative to the major scale. ... Octatonic scale: Octatonic scales on C. Play ...
Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord; Thirteenth chord; Tone cluster; Triad (music) Upper structure
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major". Scott Joplin 's " The Entertainer " is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [ 5 ]
Among these scales Hejaz scale has one scale step spanning 14 intervals (of the middle eastern type found 53 in an octave) roughly similar to 3 semitones (of the western type found 12 in an octave), while Saba scale, another of these middle eastern scales, has 3 consecutive scale steps within 14 commas, i.e. separated by roughly one western ...
An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest.
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