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The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
Cabinets may be wall hung or suspended from the ceiling. Cabinet doors may be hinged or sliding and may have mirrors on the inner or outer surface. Cabinets may have a face frame or may be of frameless construction (also known as European or euro-style). Face frame cabinets have a supporting frame attached to the front of the cabinet box.
It was usually made by hand, with a fine polished finish, rare and expensive woods, and fine craftsmanship. [2] Luxury veneers were used in the furniture of leading cabinetmakers, including Georges de Feure and others. [3] In the early years of the style, Art Nouveau architects often designed the furniture to match the style of their houses.
There is a contrast between the white-painted woodwork and light embossed wallpaper with the darker woodwork and paper of the parlors and dining room. The doors upstairs are painted and panelled and each has a glass of transom above. The bathroom still has an old pull-chain tank toilet and the bath has an old clawfoot tub. [8]
By the 19th century, affluent homes in Isfahan featured a 'mirror room' as a reception space, in which mirror work was combined with carved stucco and the display of artist's prints. [ 6 ] Monir Shahroudy Farmanfarmaian was an Iranian artist who, by re-interpreting Ayeneh-kari, brought the art form into the contemporary art scene.
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