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Like those of Carmichael's composition "Skylark", the lyrics of "Baltimore Oriole" convey a love affair in terms of a bird–in this case the Baltimore oriole. [2] In the description of his biographer Richard Sudhalter , the song is "one of Carmichael's most evocative of the time" and addresses "the effects of a wayward eye on an avian love ...
Giles Martin, with Jeff Lynne, also remixed "Free as a Bird" to accompany the music video for the DVD and Blu-ray releases. The remix of "Free as a Bird" cleans up Lennon's vocal further, and uses a different take of Harrison's vocal phrase, replacing the lyric "whatever happened to the life that we once knew" with "whatever happened to the ...
That certain night, the night we met, There was magic abroad in the air, There were angels dining at the Ritz And a nightingale sang in Berkeley Square. The nightingale, a migrant songbird, is celebrated in literature and music for the beauty of its song. It favours rural habitats, and is unlikely to be heard in Central London.
"The Bird" is a song from the Time's third album, Ice Cream Castle. The song was initially recorded in the studio in 1983 with all instruments by Prince, except guitar, which was performed by Jesse Johnson. [1] This version was replaced by a live recording with the full band at the First Avenue on October 4, 1983. This is the first Time song to ...
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
Bird vocalization includes both bird calls and bird songs. In non-technical use, bird songs (often simply birdsong ) are the bird sounds that are melodious to the human ear. In ornithology and birding , songs (relatively complex vocalizations) are distinguished by function from calls (relatively simple vocalizations).
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The melody then begins with lyrics about a warm 1967 San Franciscan night, with hallucinogenic images of a "strobe light's beam" creating dreams, walls and minds moving, angels singing, "jeans of blue," and "Harley Davidsons too," contrasted with a "cop's face is filled with hate" (on a street called "Love") and an appeal to the "old cop" and ...