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"Shosholoza" is a traditional miner's song, originally sung by groups of men from the Ndebele ethnic group that travelled by steam train from their homes in Zimbabwe (formerly known as Rhodesia) to work in South Africa's diamond and gold mines.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
The song is known world-wide thanks to the interpretation of South African singer Miriam Makeba (herself a Xhosa). In her discography the song appears in several versions, both with the title Qongqothwane and as The Click Song. The song was written and originally performed by The Manhattan Brothers who made it famous across Africa. Miriam was ...
Zenzile Miriam Makeba was said to have been one of the most influential and popular musicians of Africa, beginning in the 1950s. She was a part of three bands, including one all-woman band and two others. She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time.
The first incarnation of Ladysmith Black Mambazo was "Ezimnyama" ("The Black Ones"), formed by Joseph Shabalala in December 1960. The members of the group were relatives (mostly brothers and cousins) of Shabalala, with many having sung with him while he was growing up on the farm where he was born.
Over the years, for various reasons ranging from changes in his music to ba usiness concerns, Sunny Adé's band changed its name several times, first to African Beats and then to Golden Mercury. King Sunny Ade was influenced by Juju pioneer Tunde Nightingale and borrowed stylistic elements from his ‘So wa mbe’ style of juju.
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Films about traditional African religions, a set of highly diverse beliefs that includes various ethnic religions. [1] Generally, these traditions are oral rather than scriptural and passed down from one generation to another through folk tales, songs and festivals, [2] [3] include belief in an amount of higher and lower gods, sometimes including a supreme creator or force, belief in spirits ...
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