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Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
With the introduction of the IBM System/360 mainframe, 9-track tapes were introduced to support the new 8-bit characters that it used. The end of a file was designated by a special recorded pattern called a tape mark, and end of the recorded data on a tape by two successive tape marks. The physical beginning and end of usable tape was indicated ...
The tape is one-half inch (13 mm) wide and is packaged in a 4 in × 5 in × 1 in (102 mm × 127 mm × 25 mm) cartridge. The cartridge contains a single reel; the takeup reel is inside the tape drive. Because of their speed, reliability, durability and low media cost, these tapes and tape drives are still in high demand.
The endless loop tape cartridge was designed in 1952 by Bernard Cousino of Toledo, Ohio. [6] [7]Previously, music in the car had been restricted mostly to radios. Records, due to their methods of operation and size, were not practical for use in a car, although several companies tried to market automobile record players such as the Highway Hi-Fi and the Auto-Com flexidisc.
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Each track is paired with a non-adjacent track for redundancy by wiring the tape heads in parallel; as a result the electronics only deal with 5 tracks: a clock track, a mark track and 3 data tracks. Manchester encoding (PE) was used. The clock and mark tracks are written only once, when the tape was formatted; after that, they are read-only. [13]
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During the early 1950s, Ampex began marketing one- and two-track machines using 1 ⁄ 4-inch (6.4 mm) tape. In May 1953 the firm announced production of two- and three-track machines on 1/4 inch tape. [11] The line soon expanded into three- and four-track models using 1 ⁄ 2-inch (13 mm) tape. In the early 1950s, Ampex moved to Redwood City ...
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