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Although mostly active in Italy, particularly in Naples, José de Ribera (1591–1652) considered himself Spanish, and his style is sometimes used as an example of the extremes of Counter-Reformation Spanish art. His work was very influential (largely through the circulation of his drawing and prints throughout Europe) and developed ...
The works he produced in Italy belong to the history of the Italian art, and those he produced in Spain to the history of Spanish art". [ 51 ] The Welsh art historian David Davies seeks the roots of El Greco's style in the intellectual sources of his Greek-Christian education and in the world of his recollections from the liturgical and ...
The works he produced in Italy belong to the history of the Italian art, and those he produced in Spain to the history of Spanish art". [ 82 ] The English art historian David Davies seeks the roots of El Greco's style in the intellectual sources of his Greek-Christian education and in the world of his recollections from the liturgical and ...
That there were additional secrets hidden in Leonardo's paintings, such as an "M" letter in the painting of The Last Supper, indicating the presence of Mary Magdalene and that the figure to the left of Jesus traditionally said to represent John the Evangelist actually represents Mary Magdalene. That the Mona Lisa was actually a self-portrait.
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. [ 1 ] This new focus in art , literature , quotes and science inspired by the Greco-Roman tradition of Classical antiquity , received a major impulse from several ...
The style was later influenced by Flemish Baroque painting, as the Spanish Habsburgs ruled over an area of the Netherlands during this period. The arrival of Flemish painter Peter Paul Rubens in Spain, who visited the country in 1603 and 1628, also had some influence Spanish painting. However, it was the profusion of his works, as well as those ...
Italian art during the 17th century was predominantly Baroque in essence. 17th-century Italian Baroque art was similar in style and subject matter to that during the same period in Spain - characterised by rich, dark colours, and often religious themes relating notably to martyrdom, and also the presence of several still lifes.
Hispano-Flemish style is a term coined by the Spanish art historian Elías Tormo to designate works of art produced in Spain in a hybrid style that shows elements of Northern Renaissance artistic innovations together with elements of medieval Iberian artistic traditions, predominantly Mudéjar.