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B-flat major is a major scale based on B ... The scale degree chords of B-flat major are: ... Faschingsschwank aus Wien for piano, Op. 26;
For instance, in C major, a jazz musician may alter the V chord, G 7 (G–B–D–F), with a flattened fifth, producing the chord G 7 â™ 5 (G–B–D â™ –F). An improviser might then choose a scale containing these four notes, such as the G whole tone scale, the G octatonic scale, or a mode of either D or A â™ melodic minor ascending. In ...
As such, a jazz guitarist or jazz piano player might "voice" a printed G 7 chord with the notes B–E–F–A, which would be the third, sixth (thirteenth), flat seventh, and ninth of the chord. Jazz chord-playing musicians may also add altered chord tones (e.g., ♯ 11) and added tones.
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
The instrumentalist improvising a solo may use scales that work well with certain chords or chord progressions, according to the chord-scale system. For example, in rock and blues soloing, the pentatonic scale built on the root note is widely used to solo over straightforward chord progressions that use I, IV, and V chords (in the key of C ...
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
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