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The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
Tapestry of the Apocalypse, in Angers, designed by Jean Bondol. Jean Bondol, also known as Jean de Bruges, Jean Boudolf, or Jan Baudolf, was a Flemish artist who became a court artist of Charles V of France in 1368. He is documented as active between 1368 and 1381.
Married to the daughter of the wealthy Charles, Duke of Brittany, Louis had the castle modified, and in 1373 commissioned the famous Apocalypse Tapestry from the painter Hennequin de Bruges and the Parisian tapestry-weaver Nicolas Bataille. Louis II (Louis I's son) and Yolande d'Aragon added a chapel (1405–12) and royal apartments to the complex.
The old medieval center is still dominated by the massive château of the Plantagenêts, home of the Apocalypse Tapestry, the biggest medieval tapestry ensemble in the world. Angers is also both at the edge of the Val de Loire, a World Heritage Site, and the Loire-Anjou-Touraine regional natural park.
The third Horseman, Famine on the Black Horse, as depicted in the Angers Apocalypse Tapestry (1372–1382). When He broke the third seal, I heard the third living creature saying, "Come". I looked, and behold, a black horse; and he who sat on it had a pair of scales in his hand.
Thirty years after its short but memorable run on ABC, it is widely regarded as a miraculous one-season wonder that captures the era's competing strains of irony and earnestness.
AOL latest headlines, entertainment, sports, articles for business, health and world news.
Häxan (1922), a horror essay film about the historical roots and superstitions surrounding witchcraft. A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. [9]