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The book received predominately favorable notices, although Rossner was "humiliated" by a scathing review [22] by Julian Moynahan in The New York Times, and believed that it hurt the book's commercial prospects (conversely, Christopher Lehmann-Haupt, also in the Times, gave the book high praise, stating that "[Rossner] inspires a renewed ...
The feminist movement produced feminist fiction, feminist non-fiction, and feminist poetry, which created new interest in women's writing. It also prompted a general reevaluation of women's historical and academic contributions in response to the belief that women's lives and contributions have been underrepresented as areas of scholarly ...
To win NaNoWriMo, participants must write an average of 1,667 words per day (69 per hour, 1.2 per minute) in November to reach the goal of 50,000 words written toward a novel. Organizers of the event say that the aim is to get people to start writing, using the deadline as an incentive to get the story going and to put words to paper.
In a preface, she writes that her grandmother had worked at Laurelton as a stenographer from age 17, and while Leary’s novel follows various incarcerated women, its focus is on those who worked ...
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The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
When The World Tips Over could be called many things: a family saga, a magical realism story and a fairytale, among them. For Nelson, however, the novel's setting of the fictional town of Paradise ...
The Writing or the Sex?, Or, Why You Don't Have to Read Women's Writing to Know It's No Good, Dale Spender (1989) Toward a Feminist Theory of the State, Catharine MacKinnon (1989) "What Battery Really Is", Andrea Dworkin (1989) [513] Weaving the Visions: New Patterns in Feminist Spirituality, edited by Carol P. Christ and Judith Plaskow (1989)
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