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She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time. Miriam played a majority of her music in the form of "mbube", which was "a style of vocal harmony which drew on American jazz, ragtime, and Anglican church hymns, as well as indigenous styles of music." After she moved to ...
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
The main characteristics of Renaissance music are: [1] Music based on modes. Rich texture, with four or more independent melodic parts being performed simultaneously. These interweaving melodic lines, a style called polyphony, is one of the defining features of Renaissance music. Blending, rather than contrasting, melodic lines in the musical ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Music of the Central African Republic includes many different forms. Western rock and pop music, as well as Afrobeat, soukous and other genres have become popular nationwide. The sanza is a popular instrument. The Pygmies have a complex folk music tradition. Polyphony and counterpoint are common components, as is a varied rhythmic structure.
The album nods to the house music scene, which has its roots in largely queer clubs like Chicago’s Warehouse, and Renaissance also features the New Orleans bounce sound of regular Beyoncé ...
The roots of most Cuban music forms lie in the cabildos, a form of social club among African slaves brought to the island. Traditional Afro-Cuban styles, include son , Batá and yuka and Rumba . The Cuban contradanza , which became also known as the Habanera , the first written music to be rhythmically based on an African rhythm pattern, gained ...
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K.