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Oedipus describes the riddle of the Sphinx by Jean-Auguste-Dominique Ingres, c. 1805. In classical psychoanalytic theory, the Oedipus complex (also spelled Œdipus complex) refers to a son's sexual attitude towards his mother and concomitant hostility toward his father, first formed during the phallic stage of psychosexual development.
The best preserved section (lines 201–34) is a speech by the Theban queen, who is not named but who is probably Jocasta, sometimes known as Epicaste, the mother and wife of Oedipus and thus the grandmother/mother of Eteocles and Polynices (she is probably not Eurygania who, in some versions of the Oedipus myth, is his second wife and the ...
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
Freud also viewed Hamlet as a real person: one whose psyche could be analyzed through the text. He took the view that Hamlet's madness merely disguised the truth in the same way dreams disguise unconscious realities. He also famously saw Hamlet's struggles as a representation of the Oedipus complex. In Freud's view, Hamlet is torn largely ...
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Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]
The influential early 20th Century French Theatre critic Antonin Artaud considered Seneca's Oedipus and Thyestes models for his Theatre of Cruelty, originally speaking and writing about Seneca's use of 'the plague' in Oedipus in a famous lecture on 'Theatre and the Plague' given at the Sorbonne (April 6, 1933) and later revised and printed in ...