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You might've seen the term "feminine energy" on social media, but what does it mean? Ahead, experts explain the complex and nuanced gender concept: Everything You Know About 'Feminine Energy' Isn ...
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
It has been suggested by Cixous herself that more free and flowing styles of writing such as stream of consciousness, have a more "feminine" structure and tone than that of more traditional modes of writing. This theory draws on ground theory work in psychoanalysis about the way that humans come to understand their social roles.
But for fall/winter 2025, the designer was squarely back on the dark side. Her models looped around a giant, circular track of a runway at the Park Avenue Armory, the lighting resembling an eclipse.
Binah (understanding and perception) is the great mother, the feminine receiver of energy and giver of form. Binah receives the intuitive insight from Chokmah and dwells on it in the same way that a mother receives the seed from the father, and keeps it within her until it's time to give birth.
In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of media, including writing and children's books, need to promote feminist ideals. She argues "Children's literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities ...
The Writing or the Sex?, Or, Why You Don't Have to Read Women's Writing to Know It's No Good, Dale Spender (1989) Toward a Feminist Theory of the State, Catharine MacKinnon (1989) "What Battery Really Is", Andrea Dworkin (1989) [513] Weaving the Visions: New Patterns in Feminist Spirituality, edited by Carol P. Christ and Judith Plaskow (1989)
Mulvey discussed aspects of voyeurism and fetishism in the male gaze in her article, "Visual Pleasure and Narrative Cinema".She drew from Alfred Hitchcock's 1954 film, Rear Window, applying terms from Sigmund Freud's theories of psychoanalysis to discuss camera angle, narrative choice, and props in the movie while focusing on the concept of the male gaze.