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The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz. The exact sampling rate of 44.1 kHz was inherited from PCM adaptors which was the most affordable way to transfer data from the recording studio ...
[81] [82]: sec. 2.6 An audio CD can represent frequencies up to 22.05 kHz, the Nyquist frequency of the 44.1 kHz sample rate. [ 83 ] There was a long debate over the use of 16-bit (Sony) or 14-bit (Philips) quantization , and 44,056 or 44,100 samples/s (Sony) or approximately 44,000 samples/s (Philips).
The decline in CD sales has slowed in recent years; in 2021, CD sales increased in the US for the first time since 2004, [63] with Axios citing its rise to "young people who are finding they like hard copies of music in the digital age". [64] It came at the same time as both vinyl and cassette reached sales levels not seen in 30 years. [65]
CD audio, for example, has a sampling rate of 44.1 kHz (44,100 samples per second), and has 16-bit resolution for each stereo channel. Analog signals that have not already been bandlimited must be passed through an anti-aliasing filter before conversion, to prevent the aliasing distortion that is caused by audio signals with frequencies higher ...
Other sampling rates include: 44.1 kHz (also known as CD Quality): Originated in the late 1970s with PCM adaptors, and is still a common sampling rate to this day, mostly due to CD's adoption of this sampling rate, defined in the Red Book standard in 1980. [6] A comparison of several sampling rates, depicting their dynamic ranges.
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
1 ADPCM channel, 12-bit audio, [78] 32.088 kHz sampling rate [79] 1 streaming CD-DA channel, 16-bit CD audio, 44.1 kHz sampling rate; Optional Dolby Surround support; Stereo audio with: 6 programmable WS channels/voices; Square, sine, sawtooth, triangle and other waveforms; White noise generation on 2 channels; LFO [72] or FM on 2 channels
The bit clock pulses once for each discrete bit of data on the data lines. The bit clock frequency is the product of the sample rate, the number of bits per channel and the number of channels. So, for example, CD Audio with a sample frequency of 44.1 kHz, with 16 bits of precision and two channels (stereo) has a bit clock frequency of: