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English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
The following is a list of works in stained glass designed by the English artist John Piper, listed chronologically. Already an established artist, Piper began designing for stained glass in the 1950s, working in partnership with Patrick Reyntiens, who manufactured the large majority of Piper's realised designs over a period of 30 years. [1]
Pages in category "English stained glass artists and manufacturers" The following 74 pages are in this category, out of 74 total. This list may not reflect recent changes .
Lavers, Barraud and Westlake were an English firm that produced stained glass windows from 1855 until 1921. They were part of the 19th-century Gothic Revival movement that had a significant influence on English civic, ecclesiastical and domestic architecture, and on the manufacture and use of stained glass as decoration and as glazing.
Media in category "Stained glass" This category contains only the following file. Francesc Labarta - Stained glass triptych - Google Art Project.jpg 5,374 × 3,831; 6.16 MB
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The technique was developed by Jean Gaudin in Paris in the 1930s. Slabs of coloured glass, 20 centimetres (7.9 in) to 30 centimetres (12 in) square or rectangular and typically up to 3 centimetres (1.2 in) thick, are shaped by breaking with a hammer or cutting with a saw.
Both a full quatrefoil, and a partial portrayal of quatrefoil are found on monuments here. In the latter case, one half of a quatrefoil represents the opening of a cave where an important personage is seated. This cave opening represents a water source. Thus, quatrefoil seems to be associated with water rituals.
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