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Poetry Qazi Muhammad Shamshad Nabi Farooqi, better known by his pen-name Saqi Farooqi ( Urdu : ساقی فاروقی ), was a British-Pakistani poet who wrote in both Urdu and English. Best known for his modernist Urdu poetry , mostly ghazal's and nazm's , he has authored critical essays as well.
Download QR code; Print/export Download as PDF; ... Pages in category "Urdu-language poetry" The following 35 pages are in this category, out of 35 total.
The following is a List of Urdu-language poets This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
He adopted Qateel Shifai as his pen name in 1938, under which he was known in the world of Urdu poetry. "Qateel" was his "takhallus" and "Shifai" was in honour of his ustaad (teacher) Hakeem Mohammed Yahya Shifa Khanpuri, whom he considered his mentor. [5] Due to his father's death in 1935, Qateel was forced to quit his higher education.
Miraji's literary output was immense but he published very little of his poetry during his lifetime. However, Khalid Hasan, in his article "Meera Sen's forgotten lover," [citation needed] records that during Miraji's lifetime four collections of Miraji's works were published by Shahid Ahmed Dehlavi, and one by Maktaba-e-Urdu, Lahore.
Majeed Amjad – Punjabi writer, Urdu poet (1914–1974) Mehmood Sham – Pakistani journalist Pages displaying short descriptions of redirect targets Moeen Nizami – Pakistani poet Pages displaying wikidata descriptions as a fallback
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
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