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Vaudeville blues [12] Black Ace: 1905 1972 Texas Country blues [13] Scrapper Blackwell: 1903 1962 North Carolina Urban blues [14] Blind Blake: 1896 1934 Florida Piedmont blues [15] Lucille Bogan: 1897 1948 Mississippi Classic female blues [16] Ted Bogan: 1909 1990 South Carolina Country blues [17] Son Bonds: 1909 1947 Tennessee Country blues ...
Christone "Kingfish" Ingram (born January 19, 1999) is an American blues guitarist and singer from Clarksdale, Mississippi, United States, who became a well-known performer as a teenager. His debut album, Kingfish , was released in May 2019. [ 3 ]
Drummer best known as a member of the Jelly Roll Kings. [10] Bo Carter (March 21, 1893, Bolton, Mississippi – September 21, 1964). Country blues singer and multi-instrumentalist who performed mostly early Delta blues, playing guitar, banjo, string bass and clarinet, one of the first dirty blues musicians, with songs such as "Banana in Your ...
Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.
Jay Mayo "Ink" Williams (September 25, 1894 – January 2, 1980) was a pioneering African-American producer of recorded blues music. Some historians have claimed that Ink Williams earned his nickname by his ability to get the signatures of talented African-American musicians on recording contracts, [1] but in fact it was a racial sobriquet from his football days, when he was a rare Black ...
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Vaudevillean Mamie Smith records "Crazy Blues" for Okeh Records, the first blues song commercially recorded by an African-American singer, [1] [2] [3] the first blues song recorded at all by an African-American woman, [4] and the first vocal blues recording of any kind, [5] a few months after making the first documented recording by an African-American female singer, [6] "You Can't Keep a Good ...
In 1925, Johnson entered and won a blues contest at the Booker T. Washington Theatre in St. Louis, the prize being a recording contract with Okeh Records. [10] Between 1925 and 1932 he made about 130 recordings for Okeh, many of which sold well (making him one of the most popular OKeh artists).