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Milk glass – four pieces. Milk glass was first made in Venice in the 16th century (lattimo) as a translucent competitor for porcelain. Colors include blue, pink, yellow, brown, black, and white. Some 19th-century glass makers called milky white opaque glass "opal glass". The name milk glass is relatively recent. [2] [3]
The mold for this was acquired by Fenton Glass who issued pieces in purple and red. [5] Corinth - Ribbed pattern with 12 ribs, used for vases or flattened out for bowls and plates. [6] Della Robbia [4] English Hobnail [4] Shell and Jewels - Early pattern used on the Victor line. This is a scarce pattern in carnival treatments. [7]
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware.
At the Sèvres Porcelain Manufactory, a production line in white milk glass, decorated by hand, was experimented with, which attempted to imitate the transparency of Chinese porcelain. With this particular glass objects of common use were handcrafted: vases, bowls, cups, goblets, carafes, perfume bottles, boxes, lamps.
Marigold carnival glass is the most frequently found colour and in general commands lower prices in the collector market. However, variants of marigold such as those based on 'moonstone', a translucent white, and 'milk glass', an opaque white base, can be more sought after.
These early products bore an incised triangle mark. Most of the wares were white and were strongly influenced by silverware designs. [16] The early body was "a very translucent material, resembling milk-white glass", [17] later changing "to a harder and rather colder-looking material". [18]
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
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