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This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
Pages in category "Symbols of Hades" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. A.
In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...
Archimedean Excogitation consists of a metal and glass display case framing a system of nine tracks on two main levels. [1] [3] The lower level tracks contain billiard balls, which encounter a series of mechanical obstacles as they roll, some of which (such as a drum and xylophone) produce noise.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
An art movement is a tendency or style in the visual arts with a specific common stylistic approach, philosophy or goal, followed by a group of artists during a restricted period of time. See also: Category:Art by period of creation
In Greek mythology, the bident is a weapon associated with Hades , the ruler of the underworld. Likewise, the three-pronged trident is the implement of his brother Poseidon ( Neptune ), god of the seas and earthquakes , while the lightning bolt, which superficially appears to have a single main point or prong, is a symbol of their youngest ...
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...