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The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. [5] It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Guitar tablature is used for acoustic and electric guitar (typically with 6 strings). A modified guitar tablature with four strings is used for bass guitar. Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites.
The guitar in reggae usually plays the chords on beats two and four, a musical figure known as skank or the 'bang'. It has a very dampened, short and scratchy chop sound, almost like a percussion instrument. Sometimes a double chop is used when the guitar still plays the off beats, but also plays the following 16th or 8th beat on the up-stroke.
After Nowell's fatal heroin overdose in 1996, Wilson and Gaugh founded the Long Beach Dub Allstars (LBDAS) with RAS-1 from Long Beach reggae band Jah Children on guitar & vocals, who were then joined by frequent Sublime contributors Michael "Miguel" Happoldt, Todd Forman, and "Field" Marshall Goodman.
In 2014, The King of One String, a documentary about his musical career, was released. [5] In 2019, Chin and actor-comedians Lauren Lapkus, Paul F. Tompkins and Scott Aukerman played Chicken in the Corn on their podcast Threedom. The podcast promoted Brushy's Kickstarter to create a new studio album, [6] [better source needed] which was fully ...
Leroy Sibbles (born Leroy Sibblies, 29 January 1949) is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.. In addition to his work with The Heptones, Sibbles was a session bassist and arranger at Clement "Coxsone" Dodd's Jamaica Recording and Publishing Studio and the associated Studio One label during the prolific late 1960s.
[7] The Bay State Banner noted that "the Wailers take freely from Gamble & Huff's chords, Euro-disco's burping bass, and pop-soul ballads' blithe strings and synthesizers, but they funk up and condense these styles and use reggae's chicken scratch and snap-on drumming as disco employs congas: for a counter-voice to handle the unspeakable ...