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In 2013 the Istanbul Center of Design and the Ensar Foundation ran what they claimed was the first ever symposium of Islamic Arts and Geometric Patterns, in Istanbul. The panel included the experts on Islamic geometric pattern Carol Bier, [g] Jay Bonner, [h] [66] Eric Broug, [i] Hacali Necefoğlu [j] and Reza Sarhangi.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [1] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in ...
There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional projections. Drawings such as shown on this scroll would have served as pattern-books for the artisans who fabricated the tiles, and the shapes of the girih tiles dictated how they could be combined into large patterns.
The exterior of the Kaaba in Mecca was already before Islam "covered on the outside with multi-coloured textile hangings", [1] very likely including embroidery as their modern Islamic equivalents often have. Muhammad objected to animal designs, perhaps embroidered, he saw on cushions when visiting his wife Aisha's house.
Girih star and polygon patterns with 5- and 10-fold rotational symmetry are known to have been made as early as the 13th century. Such figures can be drawn by compass and straightedge. The first girih patterns were made by copying a pattern template on a regular grid; the pattern was drawn with compass and straightedge.
These rugs are usually decorated with many beautiful geometric patterns and shapes. They are sometimes even decorated with images. These images are usually important Islamic landmarks, such as the Kaaba, but they are never animate objects. [5] This is because the drawing of animate objects on Islamic prayer mats is forbidden.
The main fields of Anatolian rugs are frequently filled with redundant, interwoven patterns in "infinite repeat". Thus, the rug represents a section of an infinite pattern, which is imagined as continuing beyond its borders and into the infinite. A specific Islamic pattern is the mihrab pattern which defines the Prayer rug.