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1918 release by the ODJB on Victor as the B side to "Mournin' Blues", 18513-B. Larry Shields. Clarinet Marmalade, later Clarinet Marmalade Blues, [1] is a 1918 dixieland jazz standard composed by Larry Shields and Henry Ragas of the Original Dixieland Jass Band. [2] It is played in the key of F major. [3]
Jimmie Noone (April 23, 1895 – April 19, 1944) [1] was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca.
1920 78 release by the ODJB on Victor as 18717A. 1920 sheet music cover, Waterson, Berlin & Snyder, New York. 1927 Frankie Trumbauer, Bix Beiderbecke, and Eddie Lang version on Okeh, 40772-B. "Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young.
I had always wanted to play the clarinet since hearing Larry Shields with the Original Dixieland Jazz Band." [1] He co-wrote the ODJB classics "Clarinet Marmalade" with Henry Ragas and "At the Jazz Band Ball", "Ostrich Walk", and "Fidgety Feet" with Nick LaRocca. These compositions became jazz classics and standards that were re-recorded by ...
The Ebony Concerto is scored for solo clarinet in B ♭ and a jazz band consisting of two alto saxophones in E ♭, two tenor saxophones in B ♭, baritone saxophone in E ♭, three clarinets in B ♭ (doubled by first and second alto and first tenor saxophone players), bass clarinet in B ♭ (doubled by second tenor saxophone), horn in F, five trumpets in B ♭, three trombones, piano, harp ...
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
The full B side title was "Clarinet Marmalade Blues". "Fidgety Feet (War Cloud)"/"Lazy Daddy", 1918, Victor 18564 "Lasses Candy"/"Satanic Blues", 1919, Columbia 759 "Oriental Jazz" (or "Jass"), 1919, recorded November 24, 1917 and issued as Aeolian Vocalion 12097 in April 1919 with "Indigo Blues" by Ford Dabney's Band
The recording features clarinet work by Johnny Dodds, and the stop-time solo chorus in the last half of the recording is one of Armstrong's most famous solos. [5] The stop-time aspects of "Potato Head Blues" was derived from the tap-dancing tradition at the Sunset Café as well as the New Orleanian tradition of adding breaks and fill-ins. [6]