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In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs, or related fiction/non-fiction excerpts by different authors. There are also thematic and genre-based anthologies.
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one performer or by several performers. If the recordings are from one artist, then generally the tracks were not originally intended for release together as a single work, [ 1 ] but may be collected together ...
Design theory is a subfield of design research concerned with various theoretical approaches towards understanding and delineating design principles, design knowledge, and design practice. History [ edit ]
Artists' books (such as An Anthology of Chance Operations) and multiples [28] (as well as happenings), were central to Fluxus' ethos disdaining galleries and institutions, replacing them with "art in the community", and the definition of what was and wasn't a book became increasingly elastic throughout the decade as the two forms collided.
An anthology film (also known as an omnibus film, package film, or portmanteau film) is a single film consisting of several shorter films, each complete in itself and distinguished from the other, though frequently tied together by a single theme, premise, or author.
Design fiction is part of the speculative design discipline, itself a relative of critical design. [1] Although the term design fiction was coined by Bruce Sterling in 2005, where he says it is similar to science fiction but "makes more sense on the page", [29] it was Julian Bleecker's 2009 essay [30] that firmly established the idea. [5]
The New Museum of Contemporary Art. ISBN 978-0-87923-563-5. Maciunas, George. "Some Comments on Structural Film by P. Adams Sitney." Film Culture, No. 47, 1969. Newland, Paul (2015). British Films of the 1970s. Manchester University Press. ISBN 978-0-7190-8225-2. O'Pray, Michael. The British Avant-Garde Film 1926 to 1995: An Anthology of ...