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Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Odin is the author of the cosmos, and possessor of infinite esoteric knowledge—going so far as to sacrifice his eye for the accumulation of more knowledge. While Tyr—seen as the "just god"—is more concerned with upholding justice, as illustrated by the epic myth of Tyr losing his hand in exchange for the monster Fenrir to cease his ...
When creating a fast-paced conflict scene between two or more people, a writer might do well to consider only dialogue, at least for parts of it. Perhaps the characters have just entered into an argument and the writer wants to speed up the scene. [27] Then there are times when a scene should move slowly, so it is not always best to use ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
The film The Grand Budapest Hotel has four layers of narration; starting with a young girl at the author's memorial reading his book, it cuts to the old author in 1985 telling of an incident in 1968 when he, as a young author, stayed at the hotel and met the owner, old Zero. He was then told the story of young Zero and M Gustave, from 1932 ...
In 1615, Miguel de Cervantes published a second part to his Don Quixote, which had appeared ten years earlier in 1605 (the two parts are now normally published together). Cervantes produced the sequel partially because of his anger at a spurious Part Two that had appeared in 1614 written by Alonso Fernandez de Avellaneda. In Cervantes’s Part ...
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).