Search results
Results from the WOW.Com Content Network
The popularity of one hapa haole artist, Johnny Noble, led to him recording 110 Hawaiian songs with Brunswick Records, a mainland label, in 1928. [ 10 ] Novelty songs written by non-Hawaiians, such as songwriters from Tin Pan Alley , formed a considerable amount of hapa haole songs produced following its initial explosion in popularity.
The origins of the word predate the 1778 arrival of Captain James Cook, as recorded in several chants stemming from that time. [4] [5] The term was generally given to people of European descent; however, as more distinct terms began to be applied to individual European cultures and other non-European nations, the word haole began to refer mostly to Americans, including American Blacks (who ...
"My Little Grass Shack in Kealakekua, Hawaiʻi", written by Tommy Harrison, Bill Cogswell, and Johnny Noble in Hawaii in 1933, is a Hawaiian song in the Hawaiian musical style known as hapa haole. One of the earliest recordings by Ted Fio Rito and his orchestra reached number one on the charts in 1934. [ 1 ]
Robert Alexander Anderson (often given as R. Alex Anderson) (June 6, 1894 – May 30, 1995) [1] was an American composer who was born and lived most of his life in Hawaii, writing many popular Hawaiian songs within the hapa haole genre including "Lovely Hula Hands" (1940) and "Mele Kalikimaka" (1949), the latter the best known Hawaiian Christmas song.
By 1916, records of Hawaiian steel guitar were outselling every other music genre in the nation. Hawaiian music started cropping up in Hollywood soundtracks and L.A. clubs, and was further ...
"Da Kine" is cited as the callsign meaning of KINE-FM 105.1, a Honolulu-based Hawaiian music radio station. "Da Kine" is a song from the 1999 album Shaka the Moon by Hawaiian singer Darrel Labrado (then 14 years old). The song whimsically explains the meaning and uses of the phrase of the same name. The song gained local popularity. [10]
Hawaiian Music and Musicians. University Press of Hawaii. pp. 350–360. ISBN 0-8248-0578-X. Indie blog, 2008: "Country music musicians were drawn to Hawaiian music when they first heard the Hawaiian steel guitar at the San Francisco Pan Pacific Exposition in 1915. Soon, artists such as Hoot Gibson and Jimmie Davis were recording with Hawaiians.
Sudden Rush's style of music, nā mele paleoleo, combines hip hop and Hawaiian music in a way that contrasts with the traditional Hawaiian notion of kaona—hidden meaning—which is the use of euphemism and coded metaphor to convey political, sexual or otherwise delicate meanings.