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Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
Albatross (instrumental) Alley Cat (song) Amen, Brother; L'amour est bleu; And the Address; Anji (instrumental) Apache (instrumental) Applejack (song) Apples and Bananas (instrumental) Asia Minor (instrumental) At the Sign of the Swingin' Cymbal; Atlantis (instrumental)
Pages in category "1970s instrumentals" The following 62 pages are in this category, out of 62 total. This list may not reflect recent changes. A. Airport Love Theme;
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, later bass), Nokie Edwards [3] (initially bass, later lead guitar), and Mel Taylor (drums). Their first wide-release single, " Walk, Don't Run " (1960), brought international fame to the group, and is often cited as one of the top songs ever ...
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
The positions of all songs are based on week-end sale totals, from Sunday to Saturday, [4] but pre-1987 the charts were released on a Tuesday because of the need for manual calculation. [5] Since inception there have been more than 1,400 number ones; of these, instrumental tracks have topped the chart on 30 occasions for a total of 96 weeks.
The song is described as a hard rock, [11] progressive rock, and blues rock instrumental, [12] [13] [14] and an example of art rock by non-art rock bands. [ 15 ] In 1983, Winter released a beat-heavy, more-synthesizer-heavy reworking of the song; [ 16 ] its contemporaneous video, an homage with Winter appearing as Dr. Frankenstein, was added to ...
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