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Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Kamsale (folk dance of Karnataka) Kathak (Uttar Pradesh, Classical Indian Dance) Kathakali (Kerala, India, Incorporates dance) Kerala Natanam (Indian Dance created by Guru Gopinath) Krishnanattam; Kuchipudi (Classical Indian Dance, Andhra Pradesh) Kolattam (folk Tamil Nadu) Koli Dance (Folk Maharashtra) Karakattam (folk Tamil Nadu) Kanyarkali ...
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
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In the Hindu texts on dance, the dancer successfully expresses the spiritual ideas by paying attention to four aspects of a performance: Angika (gestures and body language), Vachika (song, recitation, music and rhythm), Aharya (stage setting, costume, makeup, jewelry), and Sattvika (artist's mental disposition and emotional connection with the ...
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.
In all their forms of Indian classical dance, the mudras are similar, though the names and uses vary. There are 28 (or 32) root mudras in Bharatanatyam , 24 in Kathakali and 20 in Odissi . These root mudras are combined in different ways, like one hand, two hands, arm movements, body and facial expressions.
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...