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To get from the verse "In the pouring rain – very strange" McCartney uses an E chord as a pivot, (it is a IV chord in the preceding B key and a V in the looming A key) to take listeners back into the chorus ("Penny Lane is in my ears ..."). Likewise to get back from the chorus of "There beneath the blue suburban skies I sit, and meanwhile ...
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
The "Little Red Barn" was also the theme song for the morning radio show on WOWO in Fort Wayne, Indiana, hosted by Bob Sievers. "Nancy Lee and the Hilltoppers" performed the song; Nancy Lee was the wife of Sam DeVincent, music librarian for WOWO. [3] VERSE 1 I was born 'way down in Indiana, Wish that I were there right now. Want to hear my dog ...
The song was nominated for a Grammy at the 7th Grammy Awards (their only Grammy nomination) in 1965 for Best Performance by a Chorus though losing to The Swingle Singers who won for "Going Baroque." The follow-up, " Beans in My Ears ", hit #30 on the Hot 100 and #5 on the AC chart a few months later. [ 4 ] "
With Ears to See and Eyes to Hear was met with generally positive reviews. Gregory Heaney of AllMusic gave the album a 3.5 out of 5 stars. He praised the vocal ability of singer Kellin Quinn stating, "Quinn, whose soaring tenor not only gives the songs a hopeful, uplifting quality, but shows off a vocal talent that could just as easily be making pop records."
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For example, very curvy ear canals, narrow ear canals, or surgical ears are more prone to earwax buildup. When wax builds up, it causes muffled hearing, tinnitus, or aural fullness (plugged-up ...
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]