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The original 1988 acoustic version of the song was released with the 1993 Facing Future album. [30] "Somewhere Over the Rainbow/What a Wonderful World" reached No. 12 on Billboard ' s Hot Digital Tracks chart the week of January 31, 2004 (for the survey week ending January
He played and sang, one take, and it was over." [2] At the time, copies of the acoustic recording were made only for Kamakawiwoʻole himself and Bertosa. [3] The song was re-recorded the following year as an "upbeat Jawaiian version" for Kamakawiwoʻole's debut album Ka ʻAnoʻi, listed as "Over the Rainbow/What a Wonderful World."
"Over the Rainbow", also known as "Somewhere Over the Rainbow", is a ballad by Harold Arlen with lyrics by Yip Harburg. [1] It was written for the 1939 film The Wizard of Oz , in which it was sung by actress Judy Garland [ 2 ] in her starring role as Dorothy Gale .
Facing Future is the second album by Hawaiian singer Israel Kamakawiwoʻole, released in 1993.The best-selling album of all time by a Hawaiian artist, Facing Future combines traditional Hawaiian-language songs, hapa-haole songs with traditional instrumentation, and two Jawaiian (Island reggae) tracks.
Publicity still showing music for The Wizard of Oz being recorded — ironically, for a deleted scene, the "Triumphant Return". The songs from the 1939 musical fantasy film The Wizard of Oz have taken their place among the most famous and instantly recognizable American songs of all time, and the film's principal song, "Over the Rainbow", is perhaps the most famous song ever written for a film.
"What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong on August 16, 1967. In April 1968, it topped the pop chart in the United Kingdom, [3] but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
Somewhere Over the Rainbow is a studio album by country music singer Willie Nelson, released in 1981.It features 1940s pop standards arranged by Nelson. The album's acoustic jazz instrumentation was also meant to play tribute to one of his heroes, Belgian gipsy jazz guitar virtuoso Django Reinhardt, who influenced Nelson's playing.
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