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Most of Beethoven's best known works were published with opus numbers, with which they may be reliably identified.Another 228 works are designated WoO (Werke ohne Opuszahl – literally, "works without opus number"), among them unpublished early and occasional works (Cantata on the Death of Emperor Joseph II, WoO 87), published variations and folksong arrangements (25 Irish Songs, WoO 152 ...
Until 1955, the opus numbers that appeared in the Beethoven Gesamtausgabe were used exclusively, but this edition omitted a large number of works. In 1955, Georg Kinsky and Hans Helm produced a listing of works that had not been given opus numbers, and gave them WoO numbers (Werke ohne Opuszahl, or "Works without opus number"). This listing is ...
The result is that one work may bear several separate tags, as designated by the various cataloguers. The list gives as a lemma any WoO (Werke ohne Opuszahl) number assigned traditionally to works published, or prepared for publication, by Schumann himself. Posthumous publication of a work prepared for the press by Schumann is indicated in ...
Many works that were unpublished or published without opus numbers have been assigned one of "WoO" (Werke ohne Opuszahl—works without opus number), Hess or Biamonti numbers. For example, the short piano piece "Für Elise" is more fully known as the "Bagatelle in A minor, WoO 59
This list is of compositions not published during Hummel's lifetime, or published shortly thereafter and compiled by Joel Sachs. [13] WoO numbers (Werke ohne Opus) refer to works included in Zimmerschmied's catalogue.
Alexander Nikolayevich Scriabin. This is a list of compositions by Alexander Scriabin.. The list is categorized by Genre, with Piano works organized by style of piece. The list can be sorted by Opus number and WoO number (mostly early works published posthumously) and Anh number (mostly fragmentary works), by clicking on the "Opus" header of the table.
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The works are numbered in the WoO system of 'works without opus number', which designates compositions written throughout his career which were never published with an opus number. For example, Ah! perfido Op. 65, dedicated to countess Josephine and written about the same time as the mandolin sonatas, wasn't given an opus number until 1819 ...