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The Cat On The Mat Is Flat (2006) is a book written by Australian children's author Andy Griffiths and illustrated by Terry Denton. [1] [2] The book uses larger fonts and pictures, and parodies the style of Dr. Seuss books, with the title being an obvious parody of The Cat in the Hat.
In the United States each year, roughly 1 in 1,900 people are born with a limb difference, [1] and an additional 185,000 individuals experience a limb amputation. [2] Children's literature with representation of characters with upper limb differences help empower children to accept their own, as well as others', differences.
Amblyopia, also called lazy eye, is a disorder of sight in which the brain fails to fully process input from one eye and over time favors the other eye. [1] It results in decreased vision in an eye that typically appears normal in other aspects. [ 1 ]
Many people balk at bringing a disabled animal into their home. When I first got my cats, I was warned that the infection which had already claimed the life of one of my kitten’s littermates ...
The Wonky Donkey is a 2009 children's book by New Zealander Craig Smith. [1] It is illustrated by British-born Katz Cowley, who has a degree in Illustration from the University of Northumbria. [2] The book is based upon a song that Smith wrote in 2005 after hearing the joke: "What do you call a donkey with three legs? – A wonky donkey".
This is a partial list of fictional private investigators — also known as private eyes or PIs — who have appeared in various works of literature, film, television, and games. Detective Creator
Each snack was represented by a different monster. The Wheel-Stealer was a short, fuzzy monster with wonky eyes and sharply pointed teeth. The Flute-Snatcher was a speed demon with a long, sharp nose and windblown hair. The Crown-Grabber was a hulk of a monster with a Boris Karloff accent and teeth that resembled giant knitting needles." [9]
A reviewer noted that "painting the heads up close also makes for large, wonky eyes and odd proportions, like Picasso re-invented in manga." [ 10 ] In 2006, Colette Meacher, editor of the British magazine Latest Art , described Joffe's large paintings as "simply exquisite representations of femininity". [ 14 ]