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However, the Indonesian film historian Misbach Yusa Biran suggests that a Japanese man named Kurata Bunjin was the actual director of these works, with Rd Ariffien as his assistant. [8] The first, Berdjoang , was released in 1943 and was meant to entice Indonesians to join the army fighting for Japan; [ 9 ] it was the only domestically produced ...
Mohammad Misbach (c. 1876–1926), commonly known as Haji Misbach, was a communist and Islamic activist from Surakarta, Dutch East Indies. [ 1 ] [ 2 ] [ 3 ] He was a leading member of the left wing of the Sarekat Islam organization in the 1910s and famously advocated for the compatibility of Islam and communism.
Misbach Yusa Biran, the author of Sejarah Film 1900–1950, was a former screenwriter who had become active in the cinema of Indonesia in the 1950s. By the 1970s he had become best known as an archivist, and he was one of the founders of the Indonesian film archive Sinematek Indonesia.
Misbach Yusa Biran (11 September 1933 – 11 April 2012) was an Indonesian writer, director and columnist who pioneered the Indonesian film archives. [1]
Misbach Tamrin (born 25 August 1941, Amuntai, South Kalimantan) is an Indonesian artist. Brief biography. In 1964, he graduated from the Academy of Fine Arts of ...
She later established the Depilex Smileagain Foundation, a nonprofit organization. [4] In the 1990s, she worked in dramas on PTV. [5] In 2010, she became the recipient of the Pride of Performance award for her contributions in the field of medical treatment and financial aid reportedly provided to the burn and acid attack victims for females in particular.
DIC Entertainment Corporation (/ ˈ d iː k /; also known as DIC Audiovisuel, DIC Enterprises, DIC Animation City, DIC Entertainment, L.P., and DIC Productions, sometimes stylized as DİC), branded as the Incredible World of DIC, was an international film and television production company that was mostly associated as an animation studio.
The production company was founded in 1989 at the beginning of a revival of interest in the film production community in filming in New York City. [2] Prior to the 1990s it made more economic sense for production companies to film urban scenes in cities such as Montreal, Toronto, and Vancouver in Canada.