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Kalpis painting of Sappho by the Sappho Painter (c. 510 BC), currently held in the National Museum, Warsaw. Sappho (/ ˈ s æ f oʊ /; Greek: Σαπφώ Sapphṓ [sap.pʰɔ̌ː]; Aeolic Greek Ψάπφω Psápphō; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos.
Sappho at Leucate, also known as The Death of Sappho, is an oil-on-canvas painting executed by the French painter Antoine-Jean Gros in 1801. It has the dimensions of 122 by 100 cm. It is held in the Musée d'Art et d'Histoire Baron-Gérard , in Bayeux. [1]
Sappho and Erinna in a Garden at Mytilene, Simeon Solomon, 1864, Tate Britain Sappho and Erinna in a Garden at Mytilene is an 1864 watercolour painting on paper by Simeon Solomon . The painting measures 33 cm × 38.1 cm (13.0 in × 15.0 in).
The style of Busey’s work is a fitting way to rectify its namesake’s historical legacy. In the hundreds of years after her death around 570 B.C.E., Sappho was often portrayed in art as ...
Sappho's linking of love and death in this poem is a common trope of lyric poetry. Along with fragment 94, Sappho herself uses the conceit in fragment 31 ("to myself I seem needing but little to die" [ 25 ] ) and fragment 95 ("a longing to die holds me" [ 26 ] ). [ 27 ]
Athenaeus notes how Sappho often praised Larichos for being a wine-pourer in the prytaneion at Mytilene; this wine-pouring may have been mentioned here. [112] Obbink also suggests that the opening lines originally contained a mention of the death of Sappho's father when she was young, which was the source of Ovid's anecdote at Heroides 15.61 ...
Sappho 31 is a lyric poem by the Archaic Greek poet Sappho of the island of Lesbos. [a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman.
Sappho 44 is a fragment of a poem by the archaic Greek poet Sappho, which describes the wedding of Hector and Andromache. Preserved on a piece of papyrus found in Egypt, it is the longest of Sappho's surviving fragments, and is written in epic style suiting its subject.