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It is also called a hand ocarina or hand whistle. To produce sound, the player creates a chamber of air with their hands, into which they blow air via an opening at the thumbs. There are two common techniques involving the shape of the hand chamber: the "cupped hand" technique and the "interlock" technique. [1]
Finger whistling is harder to control but achieves a piercing volume. In Boito's opera Mefistofele the title character uses it to express his defiance of the Almighty. Whistling can also be produced by blowing air through enclosed, cupped hands or through an external instrument , such as a whistle or even a blade of grass or leaf.
A trailing edge tone occurs when an exterior flow passes over a trailing edge. There is a whistle that is a combination of an edge tone and a trailing-edge tone and might be called a wake-edge tone. It occurs in rotating circular saws under idling conditions and may be called the circular-saw whistle. Under load conditions, blade vibration ...
The standard range of the whistle is two octaves. For a D whistle, this includes notes from D 5 to D 7; that is, from the second D above middle C to the fourth D above middle C. It is possible to make sounds above this range, by blowing with sufficient force, but, in most musical contexts, the result will be loud and out of tune due to a ...
Transverse (Sweet potato) – This is the best-known style of ocarina. It has a rounded shape and is held with two hands horizontally. Depending on the number of holes, the player opens one more hole than the previous note to ascend in pitch. The two most common transverse ocarinas are 10-hole (invented by Giuseppe Donati in Italy) and 12-hole ...
The whistle register (also called the flute register or flageolet register) is the highest register of the human voice, lying above the modal register and falsetto register. This register has a specific physiological production that is different from the other registers and is so called because the timbre of the notes that are produced from ...
The tabor pipe has two finger holes and one thumb hole. In the English tradition, these three holes play the same notes as the bottom three holes of a tin whistle , or tone, tone, semitone. Other tabor pipes, such as the French galoubet, the Picco pipe , the Basque txistu and xirula , the Aragonese chiflo or the Andalusian gaita of Huelva and ...
The body (or bodies, in a double or triple flageolet) contains the finger holes and keys. The windcap is not essential to the sound production and the instrument can be played by blowing directly into the duct as in the initial recorder-type design. The flageolet was eventually entirely replaced by the tin whistle and is rarely played today. [4]