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He felt that his moving sculpture Kinetic Construction (also dubbed Standing Wave, 1919–20) [6] was the first of its kind in the 20th century. From the 1920s until the 1960s, the style of kinetic art was reshaped by a number of other artists who experimented with mobiles and new forms of sculpture.
Lumino Kinetic art is a subset and an art historical term in the context of the more established kinetic art, which in turn is a subset of new media art. The historian of art Frank Popper views the evolution of this type of art as evidence of "aesthetic preoccupations linked with technological advancement" and a starting-point in the context of ...
Phil Price (born 1965) is a New Zealand artist best known for his large-scale kinetic sculptures. Price's work incorporates engineering and design in works inspired by the natural world. Price's work incorporates engineering and design in works inspired by the natural world.
Strandbeest.com – web site with video and photographs of the sculptures; Strandbeestmovie.com – documentary film about Theo Jansen by Alexander Schlichter – the web site is a workbook with videos and pictures; Theo Jansen at TED "My creations, a new form of life" (TED2007) Jansen, Theo. "Man creates kinetic sculpture that moves and lives ...
New Jersey State Museum, Sculptures by George Rickey and James Seawright, New Jersey State Museum, Trenton, 1970. Popper, Frank, Origins and Development of Kinetic Art, Studio Vista and New York Graphic Society, 1968. Thalacker, Donald, The Place of Art In the World of Architecture, Chelsea House Publishers, New York, 1980, pp. 61–63.
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
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U-Ram Choe (born 1970) is an artist based in Seoul, South Korea.. Integrating both mechanical and computerized movements within his sculptures ever since the late 1990s, Choe's works push the genre of moving kinetic art toward its newer-generation iterations, such as robotic art. [1]