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Lady Tsen Mei in Lotus Blossom. Lotus Blossom (also known as 蓮の花 in Japanese or Hachisunohana in Hepburn romanization or Lian hua xin chu xi and Daughter of Heaven) is a 1921 Chinese-Japanese film written and directed by Shanghai-born Japanese actor James B. Leong and Frank Grandon.
Lotus Lotus flower [19] Narcissus Osmanthus Osmanthus blossom [19] Peach Peach blossom [19] Spring and happiness. [3] Peony [19] Peony flower Associated with royalty. [3] It is also called “flower of rank and honour"; honours means attaining high rank, an official position or high social status. [3] Plum Plum flowers Symbol of winter. [3 ...
According to Snyder, different-colored lotus flowers have different meanings in general and in specific cultures and religions. White Lotus Meaning: The white flower signifies beauty, grace ...
The lotus flower (Sanskrit: padma; Tibetan: པདྨ, THL: péma) represents the primordial purity of body, speech, and mind, floating above the muddy waters of attachment and desire. The lotus symbolizes purity and renunciation. Although the lotus has its roots in the mud at the bottom of a pond, its flower lies immaculate above the water.
The sacred lotus flower is an aquatic perennial plant that typically blooms vibrant petals of pink and white shades. It is one of the most beautiful plants to look at, but the lotus flower thrives ...
Travel, kindness, protection; (female) loyalty [5] [8] [7] [4] Spider lily: red: abandonment, loss, separation, death and the cycle of rebirth. It's commonly referred to as the Flower of Death white: Positive nature, new beginnings, good health and rebirth yellow: Happiness, light, wisdom, gratitude, strength, everlasting friendship pink
Lotus (plant), various botanical taxa commonly known as lotus, particularly: Lotus, a genus of terrestrial plants in the family Fabaceae; Lotus flower, a symbolically important aquatic Asian plant also known as Indian or sacred lotus; Lotus tree, a plant in Greek and Roman mythology
The boy Buddha appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century. In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), [3] saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.