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10th; 11th; 12th; 13th; 14th; 15th; Pages in category "10th-century poems" The following 19 pages are in this category, out of 19 total. ... Song poetry; T. Tang ...
The Free Besieged by Dionysios Solomos (1828–1851) The Fall of Nineveh by Edwin Atherstone (1828–1868) Creation, Man and the Messiah by Henrik Wergeland (1829) The Bronze Horseman by Alexander Pushkin (1833) Prometheus Bound by Aeschylus, translated by Elizabeth Barrett Browning (1833) Messiah's Kingdom by Agnes Bulmer (1833) Pan Tadeusz by ...
An illustration of a ship from the Cædmon manuscript. The codex now referred to as the "Junius manuscript" was formerly called the "Cædmon manuscript" after an early theory that the poems it contains were the work of Cædmon; the theory is no longer considered credible, therefore the manuscript it is commonly referred to either by its Bodleian Library shelf mark "MS Junius 11", or more ...
Pages in category "10th-century poetry" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. 0–9. 900s in poetry;
The List of years in poetry and List of years in literature provide snapshots of developments in poetry and literature worldwide in a given year, decade or century, and allow easy access to a wide range of Wikipedia articles about movements, writers, works and developments in any timeframe. Please help to build these lists by adding and ...
Deor" (or "The Lament of Deor") is an Old English poem found on folio 100r–100v of the late-10th-century collection [1] the Exeter Book. The poem consists of a reflection on misfortune by a poet whom the poem is usually thought to name Deor. The poem has no title in the Exeter Book itself; the title has been bestowed by modern editors.
A ballad is a form of verse, often a narrative set to music.Ballads derive from the medieval French chanson balladée or ballade, which were originally "dancing songs" (L: ballare, to dance), yet becoming "stylized forms of solo song" before being adopted in England. [1]
In Italian literature the hendecasyllable, [10] which is a metre of eleven syllables, is the most common line. In Serbian ten syllable lines were used in long epic poems. In Polish poetry two types of line were very popular, an 11-syllable one, based on Italian verse and 13-syllable one, based both on Latin verse and French alexandrine.
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