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The Reivers reunited in 2008 for occasional performances around Austin. [6] On August 28, 2008, The Reivers played a benefit concert in Austin, and John Croslin announced that the re-formed band would be called Right or Happy. [7] Under the new name, and including keyboardist Eric Friend, the band played at the 2009 South by Southwest.
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Saturday is a 1987 album by The Reivers.It was their major label debut on Capitol Records.Notable tracks include “In Your Eyes,” which is the only song for which the band produced an official video (directed by Kevin Kerslake); [2] and "Wait for Time," which Rolling Stone's Michael Azerrad described as "an amazing moment on an amazing album."
End of the Day is a 1989 album by the Reivers.It was their second (and last) album for Capitol Records.Many of the songs on the album deal with themes of home and family, including "Star Telegram", which writer Sarah Vowell called "one of the prettiest evocations of the lovely, lazy side of the American dream, a family unwinding in a Fort Worth back yard"; [2] and "Almost Home," which was ...
Translate Slowly is the 1985 debut album by The Reivers. This album was originally released under the band's original name, Zeitgeist, but was remixed in 1988 and re-released under the band name The Reivers, after another band claimed rights to the name "Zeitgeist." The album received positive attention from many critics.
The Reivers (also known as The Yellow Winton Flyer in the U.K.) [3] is a 1969 Technicolor film in Panavision starring Steve McQueen and directed by Mark Rydell, based on the 1962 William Faulkner novel The Reivers, a Reminiscence. [4] The supporting cast includes Sharon Farrell, Rupert Crosse, Mitch Vogel and Burgess Meredith as the narrator.
The Reivers: A Reminiscence, published in 1962, is the last novel by the American author William Faulkner. It was published a month before his death. It was published a month before his death. The bestselling novel was awarded the Pulitzer Prize for Fiction in 1963.
Pop Beloved is the fourth album released by The Reivers, in 1991.After two albums on major label Capitol Records that were critically well-reviewed but commercially underperforming, they returned to the independent DB Records.