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Improvisation et caprice for solo saxophone (1952)—Eugène Bozza; Tre Pezzi for soprano (or tenor) saxophone (1956)—Giacinto Scelsi [65] Introduction, Dance and Furioso (1959)—Herbert Couf; Partita for alto saxophone, Op. 99x (1968)—Alois Hába; Djiwa for solo saxophone (1971)—Laurence Wyman; Improvisation I (1972)—Ryo Noda
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The alto saxophone is pitched in the key of E ♭, smaller than the B ♭ tenor but larger than the B ♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music).
The Saxophone Concerto was Adams's first composition following his three-hour oratorio The Gospel According to the Other Mary.Adams, whose father played alto saxophone in swing bands during the 1930s, has cited his early exposure to such jazz saxophonists as John Coltrane, Eric Dolphy, and Wayne Shorter as inspiration for the piece.
[1] [2] Braxton performs the pieces on this album entirely on alto saxophone, with no additional musicians, instrumentation or overdubbing. Although other jazz musicians, such as Coleman Hawkins, Sonny Rollins, and Eric Dolphy, had recorded unaccompanied saxophone solos, [3] For Alto was the first jazz album composed solely of solo saxophone ...
The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a ...
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