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The Charles Rennie Mackintosh Society encourages greater awareness of the work of Mackintosh as an architect, artist and designer. The rediscovery of Mackintosh as a significant figure in design has been attributed to the designation of Glasgow as European City of Culture in 1990, [ 38 ] and exhibition of his work which accompanied the year ...
Their most notable employee was Charles Rennie MacKintosh, who started as a draughtsman in April 1889 [1] and rose to partner level. The creation of the new Honeyman, Keppie and MacKintosh marked the next phase in the evolution of the practice which as Honeyman and Keppie existed from 1888 to 1904.
The style is still used on many Mackintosh-style windows and stained glass souvenirs available today. The roof is made up by a striking timber-lined barrel-vaulted roof, which spans the entire forty feet of the nave. The pulpit is carved in Mackintosh designs - it is repeated five times around the curved front.
Front Row L-R: Herbert McNair and Charles Rennie Mackintosh. The Gift of Doves, 1904. James Herbert McNair (23 December 1868 – 22 April 1955), was a Scottish artist, designer and teacher whose work contributed to the development of the Modern Style (British Art Nouveau style) during the 1890s.
Frances MacDonald MacNair was the sister of Margaret MacDonald Mackintosh, another renowned artist and designer. She was born in Kidsgrove, England and the family moved to Glasgow in 1890. [1] Both sisters enrolled in painting classes at the Glasgow School of Art in 1891, where they met the young artists Charles Rennie Mackintosh and Herbert ...
In the luncheon room the murals and door panels had a rose pattern theme. The furniture was designed by Mackintosh, introducing for the first time his characteristic high-backed chairs. [14] In 1900 Kate Cranston gave Mackintosh the opportunity to redesign an entire room, at the Ingram Street tearoom.
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