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A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word libretto to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Surtitles came into widespread use in the 1990s to translate the meaning of the lyrics into the audience's language, or to transcribe lyrics that may be difficult to understand in the sung form in the opera-house auditoria. [5] The two possible types of presentation of surtitles are as projected text, or as the electronic libretto system.
Joseph is composed to an English language libretto by the Reverend James Miller, based on Apostolo Zeno's Italian language libretto for Giuseppe, an oratorio by Antonio Caldara. [1] It received its premiere performance that following Lenten season on 2 March 1744 at the Covent Garden Theatre .
It was the first libretto for the author and the first opera for the composer. Danielpour began work on the opera in 1998. [citation needed] The opera premièred on May 7, 2005 in Detroit; it was performed in Cincinnati in July 2005, and Philadelphia in February 2006. The three companies spent more than $2 million on the opera.
The tradition of literaturoper only became established in European opera culture when, with Richard Wagner and the "through-composed dramatic form" he developed, the conventions of verse metrics for the opera libretto had faded. At the same time, the personal union of libretto poet and composer appeared as the new norm of opera production.
In languages with V2 word order, such as most Germanic languages except for Modern English, as well as Ingush and Oʼodham, the verb is always the second element in a main clause. The subject precedes the verb by default, but if another word or phrase is put at the front of the clause, the subject is moved to the position immediately after the ...
Neither is the only opera by Morton Feldman, dating from 1977. [1] Its libretto is a 16-line poem by Samuel Beckett. [2] Composer and librettist had met in Berlin two years earlier with plans for a collaboration for Rome Opera.