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Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication).
Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. [3] The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production.
Stem-mastering is a technique derived from stem mixing. Just as in stem-mixing, the individual audio tracks are grouped together, to allow for independent control and signal processing of each stem, and can be manipulated independently from each other.
Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.
Today, the process of making a recording is separated into tracking, mixing and mastering. Multitrack recording makes it possible to capture signals from several microphones, or from different takes to tape, disc or mass storage allowing previously unavailable flexibility in the mixing and mastering stages.
Audio post-production is all stages of audio production relating to sound produced and synchronized with moving picture (film, television, or video). It involves sound design , sound effects , Foley , ADR , sound editing , audio mixing , mastering , etc.
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