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Bracket arm clusters containing cantilevers, Yingzao Fashi. The Yingzao Fashi (Chinese: 營造法式; pinyin: yíngzàofǎshì; lit. 'Treatise on Architectural Methods or State Building Standards') is a technical treatise on architecture and craftsmanship written by the ancient Chinese author Li Jie (李誡; 1065–1110), [1] the Directorate of Buildings and Construction during the mid Song ...
William J. R. Curtis (born 21 March 1948, in Birchington-on-Sea, Kent, England) [1] is an architectural historian [2] [3] whose writings have focused on twentieth century architecture. Curtis seems particularly interested in broadening the "canon" to include a wider range of architects working across the world.
A History of Western Architecture is a textbook by British architectural historian David Watkin, first published in 1986. The seventh edition (2023) was revised and expanded by Owen Hopkins. [ 1 ] The book is known for emphasising the classical tradition 's importance for later architecture.
The history of architecture traces the changes in architecture through various traditions, regions, overarching stylistic trends, and dates. The beginnings of all these traditions is thought to be humans satisfying the very basic need of shelter and protection. [ 1 ]
The Imperial Crown Style (帝冠様式, teikan yōshiki) of Japanese architecture developed during the Japanese Empire in the early twentieth century. The style is identified by Japanese-style roofing on top of Neoclassical styled buildings; [1] and can have a centrally elevated structure with a pyramidal hip roof.
Like Prince Charles, Salingaros is an admirer of Islamic architecture, and the design theory he presents is claimed to be equally valid for Classical, Islamic, or any other vernacular or traditional architecture. [4] Salingaros' book presents a different view of architecture and design from the teaching texts used for courses in architecture ...
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Architecture and Modernity: A Critique is a 1999 architecture book by the architectural theoretician and historian Hilde Heynen. Starting from the first decades of the 20th century, Heynen attempts to examine the relationship between critical theory and modern architecture . [ 1 ]