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Julie London – "Love Letters" Dinah Shore – "I've Got You Under My Skin" Helen Reddy – "And I Love You So" Dick Haymes – "The More I See You" Helen Shapiro – "Little Miss Lonely" Dakota Staton – "Dedicated to You" Alma Cogan – "When I Fall in Love" Peggy Lee – "The Folks Who Live on the Hill" Dean Martin – "Kiss"
Carter-style lick. [1] Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what ...
"The Lick" is a lick (a stock musical phrase) that has been used in numerous jazz and pop songs and part of several classical compositions to the point that it has been described as "the most famous jazz cliché ever". [1] In recent years, it has become an internet meme and is often used for comedic effect. [2] [3]
Lou Rawls – 'For What It's Worth" Maze – "Joy And Pain"; Timmy Thomas – "Why Can't We Live Together" The Isley Brothers – "That Lady"; Bobbi Humphrey – "You Are The Sunshine Of My Life"
Elvis Presley recorded a version of "Love Letters" on May 26, 1966. [15] Just over a week later, on June 8, 1966, RCA released the song as a single, with "Come What May" as the B-side. [15] [16] "Love Letters" peaked at No. 19 on the Billboard Hot 100 on July 22, 1966, staying on the chart for only seven weeks. [17]
The mid- to late-1970s included songs "Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition "Feels So Good" by flugelhorn player Chuck Mangione, in 1978, "What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion group Spyro Gyra's instrumental "Morning Dance", released in ...
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Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
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