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Articulatory synthesis refers to computational techniques for synthesizing speech based on models of the human vocal tract and the articulation processes occurring there. The shape of the vocal tract can be controlled in a number of ways which usually involves modifying the position of the speech articulators, such as the tongue, jaw, and lips ...
For example, the English velar consonant /k/ is fronted before the vowel /iː/ (as in keep) compared to articulation of /k/ before other vowels (as in cool). This fronting is called palatalization . The relative position of a sound may be described as advanced ( fronted ), retracted ( backed ), raised , lowered , centralized , or mid-centralized .
In linguistics, intonation is the variation in pitch used to indicate the speaker's attitudes and emotions, to highlight or focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse. For example, the English question "Does Maria speak Spanish or French
The production of spoken language involves three major levels of processing: conceptualization, formulation, and articulation. [1] [8] [9]The first is the processes of conceptualization or conceptual preparation, in which the intention to create speech links a desired concept to the particular spoken words to be expressed.
In articulatory phonetics, the manner of articulation is the configuration and interaction of the articulators (speech organs such as the tongue, lips, and palate) when making a speech sound. One parameter of manner is stricture, that is, how closely the speech organs approach one another.
For example, in Mixe, lenis consonants are not only pronounced shorter than their fortis counterparts, but they are also prone to voicing in voiced environments, which fortis consonants are not. This association with longer duration has prompted some to propose a diachronic link between fortis consonants and gemination . [ 17 ]
Trills may be realized as a single contact, like a tap or flap, but are variable, whereas a tap/flap is limited to a single contact. When a trill is brief and made with a single contact it is sometimes erroneously described as an (allophonic) tap/flap, but a true tap or flap is an active articulation whereas a trill is a passive articulation.
The point of maximum obstruction is called the place of articulation, and the way the obstruction forms and releases is the manner of articulation. For example, when making a p sound, the lips come together tightly, blocking the air momentarily and causing a buildup of air pressure. The lips then release suddenly, causing a burst of sound.