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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The third kind of enthymeme consists of a syllogism with a missing premise that is supplied by the audience as an unstated assumption. In the words of rhetorician William Benoit, the missing premise is: "assumed by rhetor when inventing and by audience when understanding the argument." [8] Some examples of this kind of enthymeme are as follows:
Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.
A premise or premiss [a] is a proposition—a true or false declarative statement—used in an argument to prove the truth of another proposition called the conclusion. [1] Arguments consist of a set of premises and a conclusion. An argument is meaningful for its conclusion only when all of its premises are true. If one or more premises are ...
The premise of a text such as a book, film, or screenplay is the initial state of affairs that drives the plot. Most premises can be expressed very simply, and many films can be identified simply from a short sentence describing the premise.
The principle in philosophy of language suggesting that the meaning of a word is the object it refers to, exemplified by the idea that the meaning of "Fido" is the dog Fido itself. [136] field The field of a function is the union of the domain and range of that function. figure See syllogistic figure. finitary
Definitional retreat – changing the meaning of a word when an objection is raised. [23] Often paired with moving the goalposts (see below), as when an argument is challenged using a common definition of a term in the argument, and the arguer presents a different definition of the term and thereby demands different evidence to debunk the argument.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.