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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
An example of this is the use of the rules of inference found within symbolic logic. Aristotle held that any logical argument could be reduced to two premises and a conclusion. [2] Premises are sometimes left unstated, in which case, they are called missing premises, for example: Socrates is mortal because all men are mortal.
Deductive reasoning offers the strongest support: the premises ensure the conclusion, meaning that it is impossible for the conclusion to be false if all the premises are true. Such an argument is called a valid argument, for example: all men are mortal; Socrates is a man; therefore, Socrates is mortal. For valid arguments, it is not important ...
Most premises can be expressed very simply, and many films can be identified simply from a short sentence describing the premise. For example: A lonely boy is befriended by an alien; A small town is terrorized by a shark; A small boy sees dead people.
The conclusion is rephrased to look different and is then placed in the premises. — Paul Herrick [ 2 ] For example, one can obscure the fallacy by first making a statement in concrete terms, then attempting to pass off an identical statement, delivered in abstract terms, as evidence for the original. [ 17 ]
Definitional retreat – changing the meaning of a word when an objection is raised. [23] Often paired with moving the goalposts (see below), as when an argument is challenged using a common definition of a term in the argument, and the arguer presents a different definition of the term and thereby demands different evidence to debunk the argument.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia ; and the ...