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The scene of a café-concert, supposedly casual, is hinted by Manet to be one of separation. The waitress enjoys a beer, while the woman at the table smokes a cigarette and appears subdued and the man appears to be at ease as he watches the performance (the singer known as “La Belle Polonaise” is reflected in the mirror in the background of ...
The five customers depicted in the scene have been described as "three drunks and derelicts in a large public room [...] huddled down in sleep or stupor." [2] One scholar wrote, "The cafe was an all-night haunt of local down-and-outs and prostitutes, who are depicted slouched at tables and drinking together at the far end of the room.". [3]
Café Terrace at Night is an 1888 oil painting by the Dutch artist Vincent van Gogh.It is also known as The Cafe Terrace on the Place du Forum, and, when first exhibited in 1891, was entitled Coffeehouse, in the evening (Café, le soir).
Luncheon of the Boating Party (French: Le Déjeuner des canotiers) is an 1881 painting by French impressionist Pierre-Auguste Renoir.Exhibited at the Seventh Impressionist Exhibition in 1882, it was identified as the best painting in the show by three critics. [2]
Le Rat Mort ("The Dead Rat") was a popular cafe/restaurant and cabaret in Paris in the 19th and early 20th centuries. Located in the Place Pigalle in the Montmartre District, it was frequented by artists, writers, actors, artist models, and prostitutes, and was a gathering place for lesbians in the evenings.
In those years, the French capital wanted to forget the recent defeat at the Franco-Prussian War. Paris was therefore populated by theatres, museums, restaurants and trendy cafes. [ 1 ] The cafés were places frequented by the French artistic and literary elite, where new ideas and aesthetic theories were fervently discussed.
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