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A remarkable convergence of Spanish, French and Dutch Baroque aesthetics may be seen in the Abbey of Averbode (1667). Another characteristic example is the Church of St. Michel at Louvain (1650–70), with its exuberant two-storey façade, clusters of half-columns, and the complex aggregation of French-inspired sculptural detailing.
Cathedral of Santiago de Compostela in Spain.Churrigueresque Obradoiro façade Basilica and Convent of Nuestra Señora de la Merced, Lima. Churrigueresque (/ ˌ tʃ ʊər ɪ ɡ ə ˈ r ɛ s k /; Spanish: Churrigueresco), also but less commonly "Ultra Baroque", refers to a Spanish Baroque style of elaborate sculptural architectural ornament which emerged as a manner of stucco decoration in ...
During the Baroque, the ornamental, contrived and ornate character of the art of this time conveyed a transitory sense of life, related to the memento mori, the ephemeral value of riches in the face of the inevitability of death, in parallel to the pictorial genre of the vanitas. This sentiment led to a vitalist appreciation of the fleetingness ...
The Diccionario de la lengua española [a] (DLE; [b] English: Dictionary of the Spanish language) is the authoritative dictionary of the Spanish language. [1] It is produced, edited and published by the Royal Spanish Academy, with the participation of the Association of Academies of the Spanish Language.
The architects of the Spanish Baroque had an effect far beyond Spain; their work was highly influential in the churches built in the Spanish colonies in Latin America and the Philippines. The church built by the Jesuits for the College of San Francisco Javier in Tepotzotlán , with its ornate Baroque façade and tower, is a good example.
The very difference between ornament and structure is subtle and perhaps arbitrary. The pointed arches and flying buttresses of Gothic architecture are ornamental but structurally necessary; the colorful rhythmic bands of a Pietro Belluschi International Style skyscraper are integral, not applied, but certainly have ornamental effect ...
Plateresque, meaning "in the manner of a silversmith" (plata being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century and spread over the next two centuries.
Some Spanish architectural firms have turned their attention to building projects in the modern Arabic-speaking world, specifically Morocco, Algeria, and Eastern Arabia, where Mudéjar art influences are commissioned as a preferred style of housing. Mudéjar characteristics continue to act as a foundation for modernizing styles.